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We came to put music into two broad categories; that of New Music and that of Traditional Music. Music ahead of the turn of the century has come to be thought of while the Traditional. This Traditional Music gets lumped together in what a lot of people refer to as Classical. This classification is indeed well fixed in people's minds that even traditional rock music is called Classic Rock.داناود موزیک جدید

The so called Classical Music is truly three different periods that have been many different in their practice. Even so, there are some differences in the music following the turn of the century which can be distinctive enough to warrant the label of New Music.

Prior to the turn of the century, all music was'goal oriented'or'tonal,' and therefore there clearly was one chord in the specific composition that has been the goal or resting point of the music's chord progression. When this chord was reached, the music sounded finished and the music would not sound finished until this chord was reached. Hence this chord would show-up at the very end of the music but also at the ends of most phrases or melodies, pretty much. It would not be the same chord for every bit of music but would depend on the'key'of the music. That is this is of'key.' If a piece of music is in the'key of C,' then the chord it must end on is C. A work in the'key of G'would end on G and so forth.داناود موزیک جدید

Well. after a hundred years roughly, composers got the itch to test something new and so we find the initial samples of the New Music. Claude Debussy has often been called the'Father of Modern Music,' and his works began to create tonality ambiguous by employing other types of scales such as the Whole Tone Scale.

Some composers went beyond this and tossed out tonality all together. Probably the most notable example of this is the Serial Music composed by Arnold Schoenberg. Serial Music used a scale of twelve tones (rather than the standard eight) and studiously avoided any note/chord relationship. Some other composers like John Cage created that which was called'Chance Music,' where the notes in the piece were determined by the throw of dice.

Meanwhile, at this same time, jazz was being made. Jazz and Blues returned to tonality with a vengeance. However there were a number of other elements added that qualified this as New Music. The difference in instrumentation, with the guitar and the greatly expanded role of the drums were certainly items that hadn't gone on before and and so the birth of jazz and its development into the pop of today certainly fits into the category of New Music.

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